“Oh, I can’t do that, you know! I shall say something foolish out of pure ‘funk,’ and break something for the same excellent reason; I know I shall. Perhaps I shall slip and fall on the slippery floor; I’ve done that before now, you know. I shall dream of it all night now. Why did you say anything about it?”

“It would be very pleasant,” returned the prince. “But we must see. I am really rather worried just now. What! are we there already? Is that the house? What a long flight of steps! And there’s a porter! Well, Colia I don’t know what will come of it all.”
“I’m sorry, really sorry,” he muttered. “She’s a ruined woman. Mad! mad! However, the prince is not for Nastasia Philipovna now,--perhaps it’s as well.”
“Well?”

PART II

“No, no, you needn’t do anything of the sort; you mustn’t hint gently at all. I’ll go down myself directly. I wish to apologize to this young man, because I hurt his feelings.”

“This--this is going beyond all limits!” said Lizabetha Prokofievna, suddenly alarmed.

“_Love-letter?_ My letter a love-letter? That letter was the most respectful of letters; it went straight from my heart, at what was perhaps the most painful moment of my life! I thought of you at the time as a kind of light. I--”

But this was too much for the general.

“One might dispute your right to ask such questions,” observed Lebedeff’s nephew.
“He entered, and shut the door behind him. Then he silently gazed at me and went quickly to the corner of the room where the lamp was burning and sat down underneath it.

“Do you mean to say,” cried Gania, from the other corner, “do you mean to say that railways are accursed inventions, that they are a source of ruin to humanity, a poison poured upon the earth to corrupt the springs of life?”

“I was saying just now, before you came in, prince, that there has been nothing national up to now, about our liberalism, and nothing the liberals do, or have done, is in the least degree national. They are drawn from two classes only, the old landowning class, and clerical families--”

A month after Muishkin’s departure, Mrs. Epanchin received a letter from her old friend Princess Bielokonski (who had lately left for Moscow), which letter put her into the greatest good humour. She did not divulge its contents either to her daughters or the general, but her conduct towards the former became affectionate in the extreme. She even made some sort of confession to them, but they were unable to understand what it was about. She actually relaxed towards the general a little--he had been long disgraced--and though she managed to quarrel with them all the next day, yet she soon came round, and from her general behaviour it was to be concluded that she had had good news of some sort, which she would like, but could not make up her mind, to disclose.

They were evidently on quite familiar terms. In Moscow they had had many occasions of meeting; indeed, some few of those meetings were but too vividly impressed upon their memories. They had not met now, however, for three months.

When--late in the evening--the prince made his appearance in Lizabetha Prokofievna’s drawing-room, he found it full of guests. Mrs. Epanchin questioned him very fully about the general as soon as he appeared; and when old Princess Bielokonski wished to know “who this general was, and who was Nina Alexandrovna,” she proceeded to explain in a manner which pleased the prince very much.

“The answer--quick--the answer!” said Gania, the instant they were outside. “What did she say? Did you give the letter?” The prince silently held out the note. Gania was struck motionless with amazement.
“What have you done now?” said Varia to Gania. “He’ll probably be making off _there_ again! What a disgrace it all is!”
“It is very painful to me to answer these questions, Lizabetha Prokofievna.”

“It is not true,” he repeated, decidedly; “you have just invented it!”

VI.
“Listen, Lebedeff,” began the prince, quite overwhelmed; “_do_ act quietly--don’t make a scandal, Lebedeff, I ask you--I entreat you! No one must know--_no one_, mind! In that case only, I will help you.”

“Yes, my boy. I wish to present him: General Ivolgin and Prince Muishkin! But what’s the matter?... what?... How is Marfa Borisovna?”

“It cannot be moved; you would have to pull the wall down, it is so firmly fixed.”

“I hinted nothing to him about my ‘final conviction,’ but it appeared to me that he had guessed it from my words. He remained silent--he is a terribly silent man. I remarked to him, as I rose to depart, that, in spite of the contrast and the wide differences between us two, les extremites se touchent [‘extremes meet,’ as I explained to him in Russian); so that maybe he was not so far from my final conviction as appeared.
“That I only _pitied_ her--and--and loved her no longer!”
The room they were now sitting in was a large one, lofty but dark, well furnished, principally with writing-tables and desks covered with papers and books. A wide sofa covered with red morocco evidently served Rogojin for a bed. On the table beside which the prince had been invited to seat himself lay some books; one containing a marker where the reader had left off, was a volume of Solovieff’s History. Some oil-paintings in worn gilded frames hung on the walls, but it was impossible to make out what subjects they represented, so blackened were they by smoke and age. One, a life-sized portrait, attracted the prince’s attention. It showed a man of about fifty, wearing a long riding-coat of German cut. He had two medals on his breast; his beard was white, short and thin; his face yellow and wrinkled, with a sly, suspicious expression in the eyes.

“Where have they gone to?”

“What on earth is she afraid of, then? Tell me plainly, without any more beating about the bush,” said the prince, exasperated by the other’s mysterious grimaces. “What?” said the prince, much astonished.

“Do you say he is consumptive?”

“May be! may be so!” said the prince, faintly; his heart was beating painfully.

Rogojin, when he stepped into the room, and his eyes fell upon Nastasia, stopped short, grew white as a sheet, and stood staring; it was clear that his heart was beating painfully. So he stood, gazing intently, but timidly, for a few seconds. Suddenly, as though bereft of his senses, he moved forward, staggering helplessly, towards the table. On his way he collided against Ptitsin’s chair, and put his dirty foot on the lace skirt of the silent lady’s dress; but he neither apologized for this, nor even noticed it.

“I shall just say two words to him, that’s all,” said her mother, silencing all objection by her manner; she was evidently seriously put out. “You see, prince, it is all secrets with us, just now--all secrets. It seems to be the etiquette of the house, for some reason or other. Stupid nonsense, and in a matter which ought to be approached with all candour and open-heartedness. There is a marriage being talked of, and I don’t like this marriage--”

“Oh yes, but then, you see, you are a philosopher. Have you any talents, or ability in any direction--that is, any that would bring in money and bread? Excuse me again--”
The prince blushed and broke off, without finishing what he meant to say.
“Stop a minute; where are you off to? Who is this abbot?” cried Mrs. Epanchin to her retreating husband in a tone of excited annoyance.
“Oh! what on earth are we to do with him?” cried Lizabetha Prokofievna. She hastened to him and pressed his head against her bosom, while he sobbed convulsively.
“Yes, of course it is the chief thing!” he cried, looking sharply at Gania. “What a very curious man you are, Gania! You actually seem to be _glad_ to hear of this millionaire fellow’s arrival--just as though you wished for an excuse to get out of the whole thing. This is an affair in which you ought to act honestly with both sides, and give due warning, to avoid compromising others. But, even now, there is still time. Do you understand me? I wish to know whether you desire this arrangement or whether you do not? If not, say so,--and--and welcome! No one is trying to force you into the snare, Gavrila Ardalionovitch, if you see a snare in the matter, at least.”
A row of orange and lemon trees and jasmines, planted in green tubs, stood on the fairly wide terrace. According to Lebedeff, these trees gave the house a most delightful aspect. Some were there when he bought it, and he was so charmed with the effect that he promptly added to their number. When the tubs containing these plants arrived at the villa and were set in their places, Lebedeff kept running into the street to enjoy the view of the house, and every time he did so the rent to be demanded from the future tenant went up with a bound.
“He is not in.”
Not finding the prince on his death-bed, Lizabetha Prokofievna had been misled by his appearance to think him much better than he was. But his recent illness, the painful memories attached to it, the fatigue of this evening, the incident with “Pavlicheff’s son,” and now this scene with Hippolyte, had all so worked on his oversensitive nature that he was now almost in a fever. Moreover, a new trouble, almost a fear, showed itself in his eyes; he watched Hippolyte anxiously as if expecting something further.
“Just a couple of words, prince, if you’ll excuse me. Don’t blab over _there_ about what you may see here, or in this house as to all that about Aglaya and me, you know. Things are not altogether pleasant in this establishment--devil take it all! You’ll see. At all events keep your tongue to yourself for _today_.”
Alexandra, however, found it difficult to keep absolute silence on the subject. Long since holding, as she did, the post of “confidential adviser to mamma,” she was now perpetually called in council, and asked her opinion, and especially her assistance, in order to recollect “how on earth all this happened?” Why did no one see it? Why did no one say anything about it? What did all that wretched “poor knight” joke mean? Why was she, Lizabetha Prokofievna, driven to think, and foresee, and worry for everybody, while they all sucked their thumbs, and counted the crows in the garden, and did nothing? At first, Alexandra had been very careful, and had merely replied that perhaps her father’s remark was not so far out: that, in the eyes of the world, probably the choice of the prince as a husband for one of the Epanchin girls would be considered a very wise one. Warming up, however, she added that the prince was by no means a fool, and never had been; and that as to “place in the world,” no one knew what the position of a respectable person in Russia would imply in a few years--whether it would depend on successes in the government service, on the old system, or what.
“I shall never forgive you for all this, Ivan Fedorovitch--never! Look at her now. Why doesn’t she make fun of him? She said she would, and she doesn’t. Look there! She stares at him with all her eyes, and doesn’t move; and yet she told him not to come. He looks pale enough; and that abominable chatterbox, Evgenie Pavlovitch, monopolizes the whole of the conversation. Nobody else can get a word in. I could soon find out all about everything if I could only change the subject.”

“Yes, violent. I can give you a proof of it. A few days ago she tried to pull my hair because I said something that annoyed her. I tried to soothe her by reading the Apocalypse aloud.”

“I say A. N. B., and so it shall be!” cried Aglaya, irritably. “Anyway, the ‘poor knight’ did not care what his lady was, or what she did. He had chosen his ideal, and he was bound to serve her, and break lances for her, and acknowledge her as the ideal of pure Beauty, whatever she might say or do afterwards. If she had taken to stealing, he would have championed her just the same. I think the poet desired to embody in this one picture the whole spirit of medieval chivalry and the platonic love of a pure and high-souled knight. Of course it’s all an ideal, and in the ‘poor knight’ that spirit reached the utmost limit of asceticism. He is a Don Quixote, only serious and not comical. I used not to understand him, and laughed at him, but now I love the ‘poor knight,’ and respect his actions.”
So saying, she scornfully rose from her seat as though to depart.
“No, I had better speak,” continued the prince, with a new outburst of feverish emotion, and turning towards the old man with an air of confidential trustfulness. “Yesterday, Aglaya Ivanovna forbade me to talk, and even specified the particular subjects I must not touch upon--she knows well enough that I am odd when I get upon these matters. I am nearly twenty-seven years old, and yet I know I am little better than a child. I have no right to express my ideas, and said so long ago. Only in Moscow, with Rogojin, did I ever speak absolutely freely! He and I read Pushkin together--all his works. Rogojin knew nothing of Pushkin, had not even heard his name. I am always afraid of spoiling a great Thought or Idea by my absurd manner. I have no eloquence, I know. I always make the wrong gestures--inappropriate gestures--and therefore I degrade the Thought, and raise a laugh instead of doing my subject justice. I have no sense of proportion either, and that is the chief thing. I know it would be much better if I were always to sit still and say nothing. When I do so, I appear to be quite a sensible sort of a person, and what’s more, I think about things. But now I must speak; it is better that I should. I began to speak because you looked so kindly at me; you have such a beautiful face. I promised Aglaya Ivanovna yesterday that I would not speak all the evening.”

Rogojin began to wander--muttering disconnectedly; then he took to shouting and laughing. The prince stretched out a trembling hand and gently stroked his hair and his cheeks--he could do nothing more. His legs trembled again and he seemed to have lost the use of them. A new sensation came over him, filling his heart and soul with infinite anguish.

“‘What do you think of it yourself?” replied the prince, looking sadly at Rogojin.

Aglaya stopped, took the letter, and gazed strangely into the prince’s eyes. There was no confusion in her face; a little surprise, perhaps, but that was all. By her look she seemed merely to challenge the prince to an explanation as to how he and Gania happened to be connected in this matter. But her expression was perfectly cool and quiet, and even condescending.

“Why?” asked Alexandra.

“Meek! What do you mean?”
Aglaya raised her head haughtily.

The lodgers had disappeared very quickly--Ferdishenko soon after the events at Nastasia Philipovna’s, while the prince went to Moscow, as we know. Gania and his mother went to live with Varia and Ptitsin immediately after the latter’s wedding, while the general was housed in a debtor’s prison by reason of certain IOU’s given to the captain’s widow under the impression that they would never be formally used against him. This unkind action much surprised poor Ardalion Alexandrovitch, the victim, as he called himself, of an “unbounded trust in the nobility of the human heart.”