| “You are altogether perfection; even your pallor and thinness are perfect; one could not wish you otherwise. I did so wish to come and see you. I--forgive me, please--” |
| “Good Lord, he’s off again!” said Princess Bielokonski, impatiently. |
| The conversation had been on the subject of land, and the present disorders, and there must have been something amusing said, for the old man had begun to laugh at his companion’s heated expressions. |
“Well, she isn’t the first in the world, nor the last,” said another.
| “Yes, indeed, and it is all our own fault. But I have a great friend who is much worse off even than we are. Would you like to know him?” |
“My first impression was a very strong one,” repeated the prince. “When they took me away from Russia, I remember I passed through many German towns and looked out of the windows, but did not trouble so much as to ask questions about them. This was after a long series of fits. I always used to fall into a sort of torpid condition after such a series, and lost my memory almost entirely; and though I was not altogether without reason at such times, yet I had no logical power of thought. This would continue for three or four days, and then I would recover myself again. I remember my melancholy was intolerable; I felt inclined to cry; I sat and wondered and wondered uncomfortably; the consciousness that everything was strange weighed terribly upon me; I could understand that it was all foreign and strange. I recollect I awoke from this state for the first time at Basle, one evening; the bray of a donkey aroused me, a donkey in the town market. I saw the donkey and was extremely pleased with it, and from that moment my head seemed to clear.”
Nastasia came out of the house looking as white as any handkerchief; but her large dark eyes shone upon the vulgar crowd like blazing coals. The spectators’ cries were redoubled, and became more exultant and triumphant every moment. The door of the carriage was open, and Keller had given his hand to the bride to help her in, when suddenly with a loud cry she rushed from him, straight into the surging crowd. Her friends about her were stupefied with amazement; the crowd parted as she rushed through it, and suddenly, at a distance of five or six yards from the carriage, appeared Rogojin. It was his look that had caught her eyes.
“Just so.”
“Yes, I shall marry her--yes.”
“I don’t know.”
“Nastasia Philipovna! Nastasia Philipovna!”
Aglaya sat with her eyes on the ground; she seemed to have alarmed even herself by what she had said.
The prince followed quietly, making no further objection for fear of irritating the old man. At the same time he fervently hoped that General Sokolovitch and his family would fade away like a mirage in the desert, so that the visitors could escape, by merely returning downstairs. But to his horror he saw that General Ivolgin was quite familiar with the house, and really seemed to have friends there. At every step he named some topographical or biographical detail that left nothing to be desired on the score of accuracy. When they arrived at last, on the first floor, and the general turned to ring the bell to the right, the prince decided to run away, but a curious incident stopped him momentarily.
| The prince, when he heard the story afterwards, felt that he had never yet come across so wonderful a humorist, or such remarkable brilliancy as was shown by this man; and yet if he had only known it, this story was the oldest, stalest, and most worn-out yarn, and every drawing-room in town was sick to death of it. It was only in the innocent Epanchin household that it passed for a new and brilliant tale--as a sudden and striking reminiscence of a splendid and talented man. |
He was particularly anxious that this one day should be passed--especially the evening--without unpleasantness between himself and his family; and just at the right moment the prince turned up--“as though Heaven had sent him on purpose,” said the general to himself, as he left the study to seek out the wife of his bosom.
| “I’ve heard so. Well, we’ll leave that question just now. Why am I a scandal-monger? Why did she call me a scandal-monger? And mind, _after_ she had heard every word I had to tell her, and had asked all sorts of questions besides--but such is the way of women. For _her_ sake I entered into relations with Rogojin--an interesting man! At _her_ request I arranged a personal interview between herself and Nastasia Philipovna. Could she have been angry because I hinted that she was enjoying Nastasia Philipovna’s ‘leavings’? Why, I have been impressing it upon her all this while for her own good. Two letters have I written her in that strain, and I began straight off today about its being humiliating for her. Besides, the word ‘leavings’ is not my invention. At all events, they all used it at Gania’s, and she used it herself. So why am I a scandal-monger? I see--I see you are tremendously amused, at this moment! Probably you are laughing at me and fitting those silly lines to my case-- |
He only stayed at his country seat a few days on this occasion, but he had time to make his arrangements. Great changes took place in the child’s education; a good governess was engaged, a Swiss lady of experience and culture. For four years this lady resided in the house with little Nastia, and then the education was considered complete. The governess took her departure, and another lady came down to fetch Nastia, by Totski’s instructions. The child was now transported to another of Totski’s estates in a distant part of the country. Here she found a delightful little house, just built, and prepared for her reception with great care and taste; and here she took up her abode together with the lady who had accompanied her from her old home. In the house there were two experienced maids, musical instruments of all sorts, a charming “young lady’s library,” pictures, paint-boxes, a lap-dog, and everything to make life agreeable. Within a fortnight Totski himself arrived, and from that time he appeared to have taken a great fancy to this part of the world and came down each summer, staying two and three months at a time. So passed four years peacefully and happily, in charming surroundings.
“How much?”
The prince took his banknote out and showed it to Ferdishenko. The latter unfolded it and looked at it; then he turned it round and examined the other side; then he held it up to the light.
| The prince could not doubt the sincerity of his agitation. He understood, too, that the old man had left the room intoxicated with his own success. The general belonged to that class of liars, who, in spite of their transports of lying, invariably suspect that they are not believed. On this occasion, when he recovered from his exaltation, he would probably suspect Muishkin of pitying him, and feel insulted. |
The prince gazed at it for a minute or two, then glanced around him, and hurriedly raised the portrait to his lips. When, a minute after, he reached the drawing-room door, his face was quite composed. But just as he reached the door he met Aglaya coming out alone.
“All right, my friend, talk away, talk away!” she remarked. “Only don’t lose your breath; you were in such a hurry when you began, and look what you’ve come to now! Don’t be afraid of speaking--all these ladies and gentlemen have seen far stranger people than yourself; you don’t astonish _them_. You are nothing out-of-the-way remarkable, you know. You’ve done nothing but break a vase, and give us all a fright.”
She paused a moment as though getting breath, or trying to master her feeling of annoyance.
“Yes, through an agent. My own name doesn’t appear. I have a large family, you see, and at a small percentage--”
However, she turned and ran down to the prince as fast as her feet could carry her.
“My father picked up all these pictures very cheap at auctions, and so on,” he said; “they are all rubbish, except the one over the door, and that is valuable. A man offered five hundred roubles for it last week.”
“There, come along, Lef Nicolaievitch; that’s all I brought you here for,” said Rogojin.
*****
“PRINCE LEF NICOLAIEVITCH,--If you think fit, after all that has passed, to honour our house with a visit, I can assure you you will not find me among the number of those who are in any way delighted to see you.
“I really think I must request you to step into the next room!” he said, with all the insistence he could muster.
| “And Hippolyte has come down here to stay,” said Colia, suddenly. |
| “And do you know,” the prince continued, “I am amazed at your naive ways, Lebedeff! Don’t be angry with me--not only yours, everybody else’s also! You are waiting to hear something from me at this very moment with such simplicity that I declare I feel quite ashamed of myself for having nothing whatever to tell you. I swear to you solemnly, that there is nothing to tell. There! Can you take that in?” The prince laughed again. |
He said the last words nervously.
“Oh, well, when I saw her she almost punched my head, as I say; in fact so nearly that one might almost say she did punch my head. She threw the letter in my face; she seemed to reflect first, as if she would have liked to keep it, but thought better of it and threw it in my face instead. ‘If anybody can have been such a fool as to trust a man like you to deliver the letter,’ says she, ‘take it and deliver it!’ Hey! she was grandly indignant. A fierce, fiery lady that, sir!”
At the door they met Gania coming in.
“But how was it?” he asked, “how was it that you (idiot that you are),” he added to himself, “were so very confidential a couple of hours after your first meeting with these people? How was that, eh?”
| “Why, of course,” replied the clerk, gesticulating with his hands. |
“Excuse me; I was able to deliver it almost immediately after receiving your commission, and I gave it, too, just as you asked me to. It has come into my hands now because Aglaya Ivanovna has just returned it to me.”
She was astonished and vexed, and her disappointment pleased Colia immensely. Of course he could have undeceived her before she started, but the mischievous boy had been careful not to do that, foreseeing the probably laughable disgust that she would experience when she found her dear friend, the prince, in good health. Colia was indelicate enough to voice the delight he felt at his success in managing to annoy Lizabetha Prokofievna, with whom, in spite of their really amicable relations, he was constantly sparring.
“Never mind!” she laughed, “but why didn’t you come earlier? Perhaps you were expected!”
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“I don’t torment him, prince, I don’t indeed!” cried Lebedeff, hotly. “I love him, my dear sir, I esteem him; and believe it or not, I love him all the better for this business, yes--and value him more.”