| “Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone--the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing--one hand reposing on the child’s bright head. His eyes have a far-away expression. Thought, great as the Universe, is in them--His face is sad. The little one leans its elbow upon Christ’s knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture. |
The scene was growing more and more disgraceful; but Nastasia Philipovna continued to laugh and did not go away. Nina Alexandrovna and Varia had both risen from their places and were waiting, in silent horror, to see what would happen. Varia’s eyes were all ablaze with anger; but the scene had a different effect on Nina Alexandrovna. She paled and trembled, and looked more and more like fainting every moment.
“‘Oh!’ I said, ‘there’s nothing to see; it’s quite a clear case--you’ve lost your post and have come up to make explanations and get another, if you can!’
| Nastasia Philipovna, observing his woe-begone expression, suddenly burst out laughing. |
III.
“She understood nothing of what I said to her, and did not know what I wanted her to do, and yet she blessed you; that shows she wished to do so herself. Well, goodbye; it’s time you went, and I must go too.”“No one ever tormented you on the subject,” murmured Adelaida, aghast.
“You see,” he said, “I was given to understand that Ferdishenko was that sort of man,--that one can’t say everything before him. One has to take care not to say too much, you understand? I say this to prove that he really is, so to speak, more likely to have done this than anyone else, eh? You understand? The important thing is, not to make a mistake.”
| She now rose solemnly from her seat, walked to the centre of the terrace, and stood in front of the prince’s chair. All looked on with some surprise, and Prince S. and her sisters with feelings of decided alarm, to see what new frolic she was up to; it had gone quite far enough already, they thought. But Aglaya evidently thoroughly enjoyed the affectation and ceremony with which she was introducing her recitation of the poem. |
| “Well, good-bye,” he said abruptly. “You think it is easy for me to say good-bye to you? Ha, ha!” |
| Aglaya flushed up angrily. |
| “Oh no! Never.” |
“A lodger here,” continued the other, staring as before.
“We have been silent on this subject for three weeks,” said his mother, “and it was better so; and now I will only ask you one question. How can she give her consent and make you a present of her portrait when you do not love her? How can such a--such a--”
“Oh dear no! Why--”
“Oh, my dear fellow,” cried Evgenie, warmly, with real sorrow in his voice, “how could you permit all that to come about as it has? Of course, of course, I know it was all so unexpected. I admit that you, only naturally, lost your head, and--and could not stop the foolish girl; that was not in your power. I quite see so much; but you really should have understood how seriously she cared for you. She could not bear to share you with another; and you could bring yourself to throw away and shatter such a treasure! Oh, prince, prince!”
| “Why, he wears an ‘order,’ and it looks so well!” |
“Perhaps you have one like it here?”
On this particular evening the weather was lovely, and there were a large number of people present. All the places anywhere near the orchestra were occupied.| “I wrote this yesterday, myself, just after I saw you, prince, and told you I would come down here. I wrote all day and all night, and finished it this morning early. Afterwards I had a dream.” |
“You are too inquisitive,” remarked Evgenie Pavlovitch.
| “The young fellow whose arms you held, don’t you know? He was so wild with you that he was going to send a friend to you tomorrow morning.” |
The prince had heard himself referred to as “idiot,” and had shuddered at the moment; but his shudder, it so happened, was not caused by the word applied to him. The fact was that in the crowd, not far from where he was sitting, a pale familiar face, with curly black hair, and a well-known smile and expression, had flashed across his vision for a moment, and disappeared again. Very likely he had imagined it! There only remained to him the impression of a strange smile, two eyes, and a bright green tie. Whether the man had disappeared among the crowd, or whether he had turned towards the Vauxhall, the prince could not say.
“If that’s the case, darling--then, of course, you shall do exactly as you like. He is waiting alone downstairs. Hadn’t I better hint to him gently that he can go?” The general telegraphed to Lizabetha Prokofievna in his turn.“Yes,” said the prince, squeezing the word out with difficulty owing to the dreadful beating of his heart.
The general grew purple with anger.
| “Well, gentlemen!” she continued, gazing around in apparent astonishment; “what do you all look so alarmed about? Why are you so upset?” |
Of course every one of them followed her.
| She was very like her mother: she even dressed like her, which proved that she had no taste for smart clothes. The expression of her grey eyes was merry and gentle, when it was not, as lately, too full of thought and anxiety. The same decision and firmness was to be observed in her face as in her mother’s, but her strength seemed to be more vigorous than that of Nina Alexandrovna. She was subject to outbursts of temper, of which even her brother was a little afraid. |
| “Le roi de Rome,” whispered the general, trembling all over. |
“And I have heard of _you_,” continued the prince, addressing Ivan Petrovitch, “that when some of your villagers were burned out you gave them wood to build up their houses again, though they were no longer your serfs and had behaved badly towards you.”
“Won’t you be ashamed, afterwards, to reflect that your wife very nearly ran away with Rogojin?”
He looked at his listeners again with that same serious, searching expression.
“Poodle? What was that? And in a railway carriage? Dear me,” said Nastasia, thoughtfully, as though trying to recall something to mind.
“It is quite clear that he did not eat them all at once, but in a space of fifteen or twenty years: from that point of view the thing is comprehensible and natural...”
“Oh! couldn’t you find out?” muttered Gania, trembling hysterically.
| “Rogojin, _where_ is Nastasia Philipovna?” said the prince, suddenly rising from his seat. He was quaking in all his limbs, and his words came in a scarcely audible whisper. Rogojin rose also. |
| “I love these arguments, prince,” said Keller, also more than half intoxicated, moving restlessly in his chair. “Scientific and political.” Then, turning suddenly towards Evgenie Pavlovitch, who was seated near him: “Do you know, I simply adore reading the accounts of the debates in the English parliament. Not that the discussions themselves interest me; I am not a politician, you know; but it delights me to see how they address each other ‘the noble lord who agrees with me,’ ‘my honourable opponent who astonished Europe with his proposal,’ ‘the noble viscount sitting opposite’--all these expressions, all this parliamentarism of a free people, has an enormous attraction for me. It fascinates me, prince. I have always been an artist in the depths of my soul, I assure you, Evgenie Pavlovitch.” |
| “Well, nor do I!” said Evgenie Pavlovitch, laughing suddenly. “I haven’t the slightest knowledge of any such IOU’s as she mentioned, I swear I haven’t--What’s the matter, are you fainting?” |
The prince gazed and gazed, and felt that the more he gazed the more death-like became the silence. Suddenly a fly awoke somewhere, buzzed across the room, and settled on the pillow. The prince shuddered.
“I’ll go and get your bundle.”
“The Abbot Pafnute lived in the fourteenth century,” began the prince; “he was in charge of one of the monasteries on the Volga, about where our present Kostroma government lies. He went to Oreol and helped in the great matters then going on in the religious world; he signed an edict there, and I have seen a print of his signature; it struck me, so I copied it. When the general asked me, in his study, to write something for him, to show my handwriting, I wrote ‘The Abbot Pafnute signed this,’ in the exact handwriting of the abbot. The general liked it very much, and that’s why he recalled it just now.”| “Sir--” |
| There was silence for a moment. The prince was taken aback by the suddenness of this last reply, and did not know to what he should attribute it. |
“You have slept seven or perhaps eight minutes,” said Evgenie Pavlovitch.
We suspect, for instance, that having commissioned Lebedeff and the others, as above, the prince immediately forgot all about masters of ceremonies and even the ceremony itself; and we feel quite certain that in making these arrangements he did so in order that he might absolutely escape all thought of the wedding, and even forget its approach if he could, by detailing all business concerning it to others. Gania was so much relieved that he gazed at his mother almost affectionately.| Yet Aglaya had brought out these letters N. P. B. not only without the slightest appearance of irony, or even any particular accentuation, but with so even and unbroken an appearance of seriousness that assuredly anyone might have supposed that these initials were the original ones written in the ballad. The thing made an uncomfortable impression upon the prince. Of course Mrs. Epanchin saw nothing either in the change of initials or in the insinuation embodied therein. General Epanchin only knew that there was a recitation of verses going on, and took no further interest in the matter. Of the rest of the audience, many had understood the allusion and wondered both at the daring of the lady and at the motive underlying it, but tried to show no sign of their feelings. But Evgenie Pavlovitch (as the prince was ready to wager) both comprehended and tried his best to show that he comprehended; his smile was too mocking to leave any doubt on that point. |