“‘I do not wish to deprive your mother of you, and, therefore, I will not ask you to go with me,’ he said, the morning of his departure, ‘but I should like to do something for you.’ He was mounting his horse as he spoke. ‘Write something in my sister’s album for me,’ I said rather timidly, for he was in a state of great dejection at the moment. He turned, called for a pen, took the album. ‘How old is your sister?’ he asked, holding the pen in his hand. ‘Three years old,’ I said. ‘Ah, _petite fille alors!_’ and he wrote in the album:

So saying, he almost panted with agitation, and a cold sweat stood upon his forehead. These were his first words since he had entered the house; he tried to lift his eyes, and look around, but dared not; Evgenie Pavlovitch noticed his confusion, and smiled.

“Come, Lizabetha Prokofievna, it is quite time for us to be going, we will take the prince with us,” said Prince S. with a smile, in the coolest possible way.

“I’ll wear it; and you shall have mine. I’ll take it off at once.”

“He does not know of it; I have kept it a secret. Very well, Ferdishenko went off to Wilkin’s. That is not so curious in itself, but here the evidence opens out further. He left his address, you see, when he went. Now prince, consider, why did he leave his address? Why do you suppose he went out of his way to tell Colia that he had gone to Wilkin’s? Who cared to know that he was going to Wilkin’s? No, no! prince, this is finesse, thieves’ finesse! This is as good as saying, ‘There, how can I be a thief when I leave my address? I’m not concealing my movements as a thief would.’ Do you understand, prince?” “Yes, I have,” said Rogojin.
“I have heard many things of the kind about you...they delighted me... I have learned to hold you in the highest esteem,” continued Hippolyte.

“Get on, quick!” shrieked Ferdishenko, rushing wildly up to Gania, and trying to drag him to the fire by the sleeve of his coat. “Get it, you dummy, it’s burning away fast! Oh--_damn_ the thing!”

“What sort of a face was I to draw? I couldn’t draw a mask.”

“My conclusion is vast,” replied Lebedeff, in a voice like thunder. “Let us examine first the psychological and legal position of the criminal. We see that in spite of the difficulty of finding other food, the accused, or, as we may say, my client, has often during his peculiar life exhibited signs of repentance, and of wishing to give up this clerical diet. Incontrovertible facts prove this assertion. He has eaten five or six children, a relatively insignificant number, no doubt, but remarkable enough from another point of view. It is manifest that, pricked by remorse--for my client is religious, in his way, and has a conscience, as I shall prove later--and desiring to extenuate his sin as far as possible, he has tried six times at least to substitute lay nourishment for clerical. That this was merely an experiment we can hardly doubt: for if it had been only a question of gastronomic variety, six would have been too few; why only six? Why not thirty? But if we regard it as an experiment, inspired by the fear of committing new sacrilege, then this number six becomes intelligible. Six attempts to calm his remorse, and the pricking of his conscience, would amply suffice, for these attempts could scarcely have been happy ones. In my humble opinion, a child is too small; I should say, not sufficient; which would result in four or five times more lay children than monks being required in a given time. The sin, lessened on the one hand, would therefore be increased on the other, in quantity, not in quality. Please understand, gentlemen, that in reasoning thus, I am taking the point of view which might have been taken by a criminal of the middle ages. As for myself, a man of the late nineteenth century, I, of course, should reason differently; I say so plainly, and therefore you need not jeer at me nor mock me, gentlemen. As for you, general, it is still more unbecoming on your part. In the second place, and giving my own personal opinion, a child’s flesh is not a satisfying diet; it is too insipid, too sweet; and the criminal, in making these experiments, could have satisfied neither his conscience nor his appetite. I am about to conclude, gentlemen; and my conclusion contains a reply to one of the most important questions of that day and of our own! This criminal ended at last by denouncing himself to the clergy, and giving himself up to justice. We cannot but ask, remembering the penal system of that day, and the tortures that awaited him--the wheel, the stake, the fire!--we cannot but ask, I repeat, what induced him to accuse himself of this crime? Why did he not simply stop short at the number sixty, and keep his secret until his last breath? Why could he not simply leave the monks alone, and go into the desert to repent? Or why not become a monk himself? That is where the puzzle comes in! There must have been something stronger than the stake or the fire, or even than the habits of twenty years! There must have been an idea more powerful than all the calamities and sorrows of this world, famine or torture, leprosy or plague--an idea which entered into the heart, directed and enlarged the springs of life, and made even that hell supportable to humanity! Show me a force, a power like that, in this our century of vices and railways! I might say, perhaps, in our century of steamboats and railways, but I repeat in our century of vices and railways, because I am drunk but truthful! Show me a single idea which unites men nowadays with half the strength that it had in those centuries, and dare to maintain that the ‘springs of life’ have not been polluted and weakened beneath this ‘star,’ beneath this network in which men are entangled! Don’t talk to me about your prosperity, your riches, the rarity of famine, the rapidity of the means of transport! There is more of riches, but less of force. The idea uniting heart and soul to heart and soul exists no more. All is loose, soft, limp--we are all of us limp.... Enough, gentlemen! I have done. That is not the question. No, the question is now, excellency, I believe, to sit down to the banquet you are about to provide for us!”

“How foolish I am to speak of such things to a man like you,” said Vera, blushing. “Though you _do_ look tired,” she added, half turning away, “your eyes are so splendid at this moment--so full of happiness.”

“It is not such a very dreadful circumstance that we are odd people, is it? For we really are odd, you know--careless, reckless, easily wearied of anything. We don’t look thoroughly into matters--don’t care to understand things. We are all like this--you and I, and all of them! Why, here are you, now--you are not a bit angry with me for calling you ‘odd,’ are you? And, if so, surely there is good material in you? Do you know, I sometimes think it is a good thing to be odd. We can forgive one another more easily, and be more humble. No one can begin by being perfect--there is much one cannot understand in life at first. In order to attain to perfection, one must begin by failing to understand much. And if we take in knowledge too quickly, we very likely are not taking it in at all. I say all this to you--you who by this time understand so much--and doubtless have failed to understand so much, also. I am not afraid of you any longer. You are not angry that a mere boy should say such words to you, are you? Of course not! You know how to forget and to forgive. You are laughing, Ivan Petrovitch? You think I am a champion of other classes of people--that I am _their_ advocate, a democrat, and an orator of Equality?” The prince laughed hysterically; he had several times burst into these little, short nervous laughs. “Oh, no--it is for you, for myself, and for all of us together, that I am alarmed. I am a prince of an old family myself, and I am sitting among my peers; and I am talking like this in the hope of saving us all; in the hope that our class will not disappear altogether--into the darkness--unguessing its danger--blaming everything around it, and losing ground every day. Why should we disappear and give place to others, when we may still, if we choose, remain in the front rank and lead the battle? Let us be servants, that we may become lords in due season!”

There she stood at last, face to face with him, for the first time since their parting.
“Really?” said the old man, smiling.
“And you are not offended?”
“H’m, then you _do_ give him money?”
“Prince Muishkin? Lef Nicolaievitch? H’m! I don’t know, I’m sure! I may say I have never heard of such a person,” said the clerk, thoughtfully. “At least, the name, I admit, is historical. Karamsin must mention the family name, of course, in his history--but as an individual--one never hears of any Prince Muishkin nowadays.”
But the prince was silent and serious. All awaited his reply.
“Yes, yes,” agreed the prince, warmly.

It was all very vague. Who had taken the letters, if letters there were? Probably Vera--and how could Lebedeff have got them? In all probability, he had managed to steal the present letter from Vera, and had himself gone over to Lizabetha Prokofievna with some idea in his head. So the prince concluded at last.

A couple of minutes later the door opened again and the affable voice of Gania cried:
“But surely this is a joke, Nastasia Philipovna?” asked Totski. “You don’t really mean us to play this game.”
“What! a fraud? What, he is not Pavlicheff’s son? Impossible!”
What had really happened?

“You don’t know all, you see; I tell you there are things--and besides, I’m sure that she is persuaded that I love her to distraction, and I give you my word I have a strong suspicion that she loves me, too--in her own way, of course. She thinks she will be able to make a sort of slave of me all my life; but I shall prepare a little surprise for her. I don’t know whether I ought to be confidential with you, prince; but, I assure you, you are the only decent fellow I have come across. I have not spoken so sincerely as I am doing at this moment for years. There are uncommonly few honest people about, prince; there isn’t one honester than Ptitsin, he’s the best of the lot. Are you laughing? You don’t know, perhaps, that blackguards like honest people, and being one myself I like you. _Why_ am I a blackguard? Tell me honestly, now. They all call me a blackguard because of her, and I have got into the way of thinking myself one. That’s what is so bad about the business.”

“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“Be quiet! How dare they laugh at me in your house?” said Aglaya, turning sharply on her mother in that hysterical frame of mind that rides recklessly over every obstacle and plunges blindly through proprieties. “Why does everyone, everyone worry and torment me? Why have they all been bullying me these three days about you, prince? I will not marry you--never, and under no circumstances! Know that once and for all; as if anyone could marry an absurd creature like you! Just look in the glass and see what you look like, this very moment! Why, _why_ do they torment me and say I am going to marry you? You must know it; you are in the plot with them!”

“Don’t go so fast, Lebedeff; you are much milder in the morning,” said Ptitsin, smiling.

All this would have been perfectly sincere on his part. He had never for a moment entertained the idea of the possibility of this girl loving him, or even of such a thing as himself falling in love with her. The possibility of being loved himself, “a man like me,” as he put it, he ranked among ridiculous suppositions. It appeared to him that it was simply a joke on Aglaya’s part, if there really were anything in it at all; but that seemed to him quite natural. His preoccupation was caused by something different.
“Here are twenty-five roubles, Marfa Borisovna... it is all that I can give... and I owe even these to the prince’s generosity--my noble friend. I have been cruelly deceived. Such is... life... Now... Excuse me, I am very weak,” he continued, standing in the centre of the room, and bowing to all sides. “I am faint; excuse me! Lenotchka... a cushion... my dear!”
“How do you know he is not the question now?” cried Hippolyte, laughing hysterically.
Oh, how frightened he was of looking to one side--one particular corner--whence he knew very well that a pair of dark eyes were watching him intently, and how happy he was to think that he was once more among them, and occasionally hearing that well-known voice, although she had written and forbidden him to come again! “_Who_ forbade you?” cried Mrs. Epanchin once more. “And was it you looked out of the window under the blind this morning?” “Well, that is the murderer! It is he--in fact--”

“Oh, yes--a wonderful fellow; but I was present myself. I gave him my blessing.”

One fact, at least, would have been perfectly plain to an outsider, had any such person been on the spot; and that was, that the prince had made a very considerable impression upon the family, in spite of the fact that he had but once been inside the house, and then only for a short time. Of course, if analyzed, this impression might have proved to be nothing more than a feeling of curiosity; but be it what it might, there it undoubtedly was.
“My goodness me! and I gave him twenty-five roubles this morning as though he were a beggar,” blurted out the general, half senseless with amazement. “Well, I congratulate you, I congratulate you!” And the general rose from his seat and solemnly embraced the prince. All came forward with congratulations; even those of Rogojin’s party who had retreated into the next room, now crept softly back to look on. For the moment even Nastasia Philipovna was forgotten.
“Well--gentlemen--I do not force anyone to listen! If any of you are unwilling to sit it out, please go away, by all means!”

He immediately judged from the faces of his daughters and Prince S. that there was a thunderstorm brewing, and he himself already bore evidences of unusual perturbation of mind.

Aglaya was the only one of the family whose good graces he could not gain, and who always spoke to him haughtily, but it so happened that the boy one day succeeded in giving the proud maiden a surprise.
Suddenly, a quarter of an hour after the prince’s departure, Aglaya had rushed out of her room in such a hurry that she had not even wiped her eyes, which were full of tears. She came back because Colia had brought a hedgehog. Everybody came in to see the hedgehog. In answer to their questions Colia explained that the hedgehog was not his, and that he had left another boy, Kostia Lebedeff, waiting for him outside. Kostia was too shy to come in, because he was carrying a hatchet; they had bought the hedgehog and the hatchet from a peasant whom they had met on the road. He had offered to sell them the hedgehog, and they had paid fifty copecks for it; and the hatchet had so taken their fancy that they had made up their minds to buy it of their own accord. On hearing this, Aglaya urged Colia to sell her the hedgehog; she even called him “dear Colia,” in trying to coax him. He refused for a long time, but at last he could hold out no more, and went to fetch Kostia Lebedeff. The latter appeared, carrying his hatchet, and covered with confusion. Then it came out that the hedgehog was not theirs, but the property of a schoolmate, one Petroff, who had given them some money to buy Schlosser’s History for him, from another schoolfellow who at that moment was driven to raising money by the sale of his books. Colia and Kostia were about to make this purchase for their friend when chance brought the hedgehog to their notice, and they had succumbed to the temptation of buying it. They were now taking Petroff the hedgehog and hatchet which they had bought with his money, instead of Schlosser’s History. But Aglaya so entreated them that at last they consented to sell her the hedgehog. As soon as she had got possession of it, she put it in a wicker basket with Colia’s help, and covered it with a napkin. Then she said to Colia: “Go and take this hedgehog to the prince from me, and ask him to accept it as a token of my profound respect.” Colia joyfully promised to do the errand, but he demanded explanations. “What does the hedgehog mean? What is the meaning of such a present?” Aglaya replied that it was none of his business. “I am sure that there is some allegory about it,” Colia persisted. Aglaya grew angry, and called him “a silly boy.” “If I did not respect all women in your person,” replied Colia, “and if my own principles would permit it, I would soon prove to you, that I know how to answer such an insult!” But, in the end, Colia went off with the hedgehog in great delight, followed by Kostia Lebedeff. Aglaya’s annoyance was soon over, and seeing that Colia was swinging the hedgehog’s basket violently to and fro, she called out to him from the verandah, as if they had never quarrelled: “Colia, dear, please take care not to drop him!” Colia appeared to have no grudge against her, either, for he stopped, and answered most cordially: “No, I will not drop him! Don’t be afraid, Aglaya Ivanovna!” After which he went on his way. Aglaya burst out laughing and ran up to her room, highly delighted. Her good spirits lasted the whole day.
“He has gone to get his coat,” said the boy.