| “Yes, Nicolai Andreevitch--that was his name,” and the young fellow looked earnestly and with curiosity at the all-knowing gentleman with the red nose. |
| “Prince,” said the general, pressing his hand, and looking at him with flashing eyes, and an expression as though he were under the influence of a sudden thought which had come upon him with stunning force. “Prince, you are so kind, so simple-minded, that sometimes I really feel sorry for you! I gaze at you with a feeling of real affection. Oh, Heaven bless you! May your life blossom and fructify in love. Mine is over. Forgive me, forgive me!” |
“That’s impossible!” said he in an aggrieved tone. “I am often discussing subjects of this nature with him, gentlemen, but for the most part he talks nonsense enough to make one deaf: this story has no pretence of being true.”
“H’m; I thought differently. You see, we were talking over this period of history. I was criticizing a current report of something which then happened, and having been myself an eye-witness of the occurrence--you are smiling, prince--you are looking at my face as if--”
She was astonished and vexed, and her disappointment pleased Colia immensely. Of course he could have undeceived her before she started, but the mischievous boy had been careful not to do that, foreseeing the probably laughable disgust that she would experience when she found her dear friend, the prince, in good health. Colia was indelicate enough to voice the delight he felt at his success in managing to annoy Lizabetha Prokofievna, with whom, in spite of their really amicable relations, he was constantly sparring.
“Do not distress yourself, Aglaya Ivanovitch,” he answered calmly; “your mother knows that one cannot strike a dying man. I am ready to explain why I was laughing. I shall be delighted if you will let me--”
| “Of course,” said he. “I have heard it spoken about at your house, and I am anxious to see these young men!” |
| “God bless you, dear boy, for being respectful to a disgraced man. Yes, to a poor disgraced old fellow, your father. You shall have such a son yourself; le roi de Rome. Oh, curses on this house!” |
But there was something in the appearance of both the ladies and their admirers which was peculiar, quite different for that of the rest of the public assembled around the orchestra.
Gania said all this perfectly seriously, and without the slightest appearance of joking; indeed, he seemed strangely gloomy.
“Tell me, how was she when you left her?”
| She was very like her mother: she even dressed like her, which proved that she had no taste for smart clothes. The expression of her grey eyes was merry and gentle, when it was not, as lately, too full of thought and anxiety. The same decision and firmness was to be observed in her face as in her mother’s, but her strength seemed to be more vigorous than that of Nina Alexandrovna. She was subject to outbursts of temper, of which even her brother was a little afraid. |
But Muishkin had risen, and was on his way to open the door for his visitors.
“H’m destiny it is,” said the general, “and there’s no getting out of destiny.”
Nastasia’s arrival was a most unexpected and overwhelming event to all parties. In the first place, she had never been before. Up to now she had been so haughty that she had never even asked Gania to introduce her to his parents. Of late she had not so much as mentioned them. Gania was partly glad of this; but still he had put it to her debit in the account to be settled after marriage.
“Hurrah!” cried Lebedeff, in a drunken voice. “Hurrah for the last of the Muishkins!”
She held out a weekly comic paper, pointing to an article on one of its pages. Just as the visitors were coming in, Lebedeff, wishing to ingratiate himself with the great lady, had pulled this paper from his pocket, and presented it to her, indicating a few columns marked in pencil. Lizabetha Prokofievna had had time to read some of it, and was greatly upset.
“Well, I don’t mind telling you the truth--you only! Because you see through a man somehow. Words and actions, truth and falsehood, are all jumbled up together in me, and yet I am perfectly sincere. I feel the deepest repentance, believe it or not, as you choose; but words and lies come out in the infernal craving to get the better of other people. It is always there--the notion of cheating people, and of using my repentant tears to my own advantage! I assure you this is the truth, prince! I would not tell any other man for the world! He would laugh and jeer at me--but you, you judge a man humanely.”
“Cold?”
“Please don’t be angry with me,” continued the prince. “I know very well that I have seen less of life than other people, and have less knowledge of it. I must appear to speak strangely sometimes...”
“Oh, I like that! That beats anything!” he cried convulsively, panting for breath. “One is an absolute unbeliever; the other is such a thorough-going believer that he murders his friend to the tune of a prayer! Oh, prince, prince, that’s too good for anything! You can’t have invented it. It’s the best thing I’ve heard!”
| “Do you know, Totski, this is all very like what they say goes on among the Japanese?” said Ptitsin. “The offended party there, they say, marches off to his insulter and says to him, ‘You insulted me, so I have come to rip myself open before your eyes;’ and with these words he does actually rip his stomach open before his enemy, and considers, doubtless, that he is having all possible and necessary satisfaction and revenge. There are strange characters in the world, sir!” |
| “No, I don’t think it was a special case,” said the prince, quietly, but firmly. |
“Varia does it from pride, and likes showing off, and giving herself airs. As to my mother, I really do admire her--yes, and honour her. Hippolyte, hardened as he is, feels it. He laughed at first, and thought it vulgar of her--but now, he is sometimes quite touched and overcome by her kindness. H’m! You call that being strong and good? I will remember that! Gania knows nothing about it. He would say that it was encouraging vice.”
| “The Emperor was much struck.” |
“Come along,” he whispered.
“What, did they hang the fellow?”
The prince handed her the album.
“Come, come, what does all this mean?” cried Colia beside himself at last. “What is it? What has happened to you? Why don’t you wish to come back home? Why have you gone out of your mind, like this?”
“Look here,” said Lizabetha Prokofievna, turning round suddenly; “we are passing his house. Whatever Aglaya may think, and in spite of anything that may happen, he is not a stranger to us; besides which, he is ill and in misfortune. I, for one, shall call in and see him. Let anyone follow me who cares to.”
| “Well, for God’s sake, what made you say the other?” |
“Bourdaloue, the archbishop, would not have spared a man like me,” Keller continued, “but you, you have judged me with humanity. To show how grateful I am, and as a punishment, I will not accept a hundred and fifty roubles. Give me twenty-five--that will be enough; it is all I really need, for a fortnight at least. I will not ask you for more for a fortnight. I should like to have given Agatha a present, but she does not really deserve it. Oh, my dear prince, God bless you!”
“It’s headed, ‘A Necessary Explanation,’ with the motto, ‘_Après moi le déluge!_’ Oh, deuce take it all! Surely I can never have seriously written such a silly motto as that? Look here, gentlemen, I beg to give notice that all this is very likely terrible nonsense. It is only a few ideas of mine. If you think that there is anything mysterious coming--or in a word--”
“Tfu! look what the fellow got! Look at the blood on his cheek! Ha, ha!”
“You intend to introduce the prince?” asked Colia, as they went up.
“Why, I declare, here he is!” she cried, stopping suddenly. “The man one can’t find with all one’s messengers sent about the place, sitting just under one’s nose, exactly where one never thought of looking! I thought you were sure to be at your uncle’s by this time.”
“He is a nice fellow, but a little too simple,” said Adelaida, as the prince left the room.
Here Hippolyte suddenly, and most unexpectedly, pulled out of his breast-pocket a large sealed paper. This imposing-looking document he placed upon the table before him.
He satisfied their curiosity, in as few words as possible, with regard to the wedding, but their exclamations and sighs were so numerous and sincere that he was obliged to tell the whole story--in a short form, of course. The advice of all these agitated ladies was that the prince should go at once and knock at Rogojin’s until he was let in: and when let in insist upon a substantial explanation of everything. If Rogojin was really not at home, the prince was advised to go to a certain house, the address of which was given, where lived a German lady, a friend of Nastasia Philipovna’s. It was possible that she might have spent the night there in her anxiety to conceal herself.
| They looked at one another with undisguised malice. One of these women had written to the other, so lately, such letters as we have seen; and it all was dispersed at their first meeting. Yet it appeared that not one of the four persons in the room considered this in any degree strange. |
“Marie Alexandrovna is not at home,” said she, staring hard at the general. “She has gone to her mother’s, with Alexandra Michailovna.”
| “Yes, it’s quite true,” said Rogojin, frowning gloomily; “so Zaleshoff told me. I was walking about the Nefsky one fine day, prince, in my father’s old coat, when she suddenly came out of a shop and stepped into her carriage. I swear I was all of a blaze at once. Then I met Zaleshoff--looking like a hair-dresser’s assistant, got up as fine as I don’t know who, while I looked like a tinker. ‘Don’t flatter yourself, my boy,’ said he; ‘she’s not for such as you; she’s a princess, she is, and her name is Nastasia Philipovna Barashkoff, and she lives with Totski, who wishes to get rid of her because he’s growing rather old--fifty-five or so--and wants to marry a certain beauty, the loveliest woman in all Petersburg.’ And then he told me that I could see Nastasia Philipovna at the opera-house that evening, if I liked, and described which was her box. Well, I’d like to see my father allowing any of us to go to the theatre; he’d sooner have killed us, any day. However, I went for an hour or so and saw Nastasia Philipovna, and I never slept a wink all night after. Next morning my father happened to give me two government loan bonds to sell, worth nearly five thousand roubles each. ‘Sell them,’ said he, ‘and then take seven thousand five hundred roubles to the office, give them to the cashier, and bring me back the rest of the ten thousand, without looking in anywhere on the way; look sharp, I shall be waiting for you.’ Well, I sold the bonds, but I didn’t take the seven thousand roubles to the office; I went straight to the English shop and chose a pair of earrings, with a diamond the size of a nut in each. They cost four hundred roubles more than I had, so I gave my name, and they trusted me. With the earrings I went at once to Zaleshoff’s. ‘Come on!’ I said, ‘come on to Nastasia Philipovna’s,’ and off we went without more ado. I tell you I hadn’t a notion of what was about me or before me or below my feet all the way; I saw nothing whatever. We went straight into her drawing-room, and then she came out to us. |
“No one, at present; but I hope to make friends; and then I have a letter from--”
“Your love is mingled with hatred, and therefore, when your love passes, there will be the greater misery,” said the prince. “I tell you this, Parfen--”
Lebedeff followed suit at once, and it was clear from his radiant face that he considered his prospects of satisfaction immensely improved.
| “Excuse me, sirs,” he said, loudly, “but what does all this mean?” He glared at the advancing crowd generally, but addressed his remarks especially to their captain, Rogojin. “You are not in a stable, gentlemen, though you may think it--my mother and sister are present.” |
“Oh, then you _do_ intend to take a room?”
“I meant to say--I only meant to say,” said the prince, faltering, “I merely meant to explain to Aglaya Ivanovna--to have the honour to explain, as it were--that I had no intention--never had--to ask the honour of her hand. I assure you I am not guilty, Aglaya Ivanovna, I am not, indeed. I never did wish to--I never thought of it at all--and never shall--you’ll see it yourself--you may be quite assured of it. Some wicked person has been maligning me to you; but it’s all right. Don’t worry about it.”
| “How mean you were!” said Nastasia. |
| “You have slept seven or perhaps eight minutes,” said Evgenie Pavlovitch. |
“I shall never forgive you for all this, Ivan Fedorovitch--never! Look at her now. Why doesn’t she make fun of him? She said she would, and she doesn’t. Look there! She stares at him with all her eyes, and doesn’t move; and yet she told him not to come. He looks pale enough; and that abominable chatterbox, Evgenie Pavlovitch, monopolizes the whole of the conversation. Nobody else can get a word in. I could soon find out all about everything if I could only change the subject.”
“But why did she run away to me, and then again from me to--”
| The prince shuddered; his heart seemed to freeze within him. He gazed at Aglaya in wonderment; it was difficult for him to realize that this child was also a woman. |
“Yes, she is inquisitive,” assented the prince.
“Yesterday, after seeing you, I went home and thought out a picture.
“Do you think so? Had I not just better tell him I have found it, and pretend I never guessed where it was?”
“And what time of day does the lady receive?” the latter asked, reseating himself in his old place.
“Have I been acting rightly in allowing him to develop such vast resources of imagination?” the prince asked himself. But his answer was a fit of violent laughter which lasted ten whole minutes. He tried to reproach himself for the laughing fit, but eventually concluded that he needn’t do so, since in spite of it he was truly sorry for the old man. The same evening he received a strange letter, short but decided. The general informed him that they must part for ever; that he was grateful, but that even from him he could not accept “signs of sympathy which were humiliating to the dignity of a man already miserable enough.”
| “Was not Nastasia Philipovna here with him, yesterday evening?” |
| In fact, the door opened directly, and the footman informed the visitors that the family were all away. |
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“Oh, I’m a mean wretch--a mean wretch!” he said, approaching the prince once more, and beating his breast, with tears in his eyes.
The prince was startled, and reflected for a moment.
“‘Look here now,’ I said, when we came out, ‘none of your interference here after this--do you understand?’ He laughed: ‘And how are you going to settle up with your father?’ says he. I thought I might as well jump into the Neva at once without going home first; but it struck me that I wouldn’t, after all, and I went home feeling like one of the damned.”