“You are always preaching about resting; you are a regular nurse to me, prince. As soon as the sun begins to ‘resound’ in the sky--what poet said that? ‘The sun resounded in the sky.’ It is beautiful, though there’s no sense in it!--then we will go to bed. Lebedeff, tell me, is the sun the source of life? What does the source, or ‘spring,’ of life really mean in the Apocalypse? You have heard of the ‘Star that is called Wormwood,’ prince?”
What then must have been her condition, when, among all the imaginary anxieties and calamities which so constantly beset her, she now saw looming ahead a serious cause for annoyance--something really likely to arouse doubts and suspicions!
Aglaya suddenly burst out laughing, as simply as a child.
“Well, what conclusion have you reached?”
“I didn’t know they called you a fool. I certainly don’t think you one.”
“What sort of hope?”
The prince suddenly approached Evgenie Pavlovitch.
“No--I don’t think I should run away,” replied the prince, laughing outright at last at Aglaya’s questions.
| There were a few seconds of dead silence. |
| “Half-past twelve. We are always in bed by one.” |
| Towards six o’clock he found himself at the station of the Tsarsko-Selski railway. |
| “What was the matter yesterday?” (she wrote on another sheet). “I passed by you, and you seemed to me to _blush_. Perhaps it was only my fancy. If I were to bring you to the most loathsome den, and show you the revelation of undisguised vice--you should not blush. You can never feel the sense of personal affront. You may hate all who are mean, or base, or unworthy--but not for yourself--only for those whom they wrong. No one can wrong _you_. Do you know, I think you ought to love me--for you are the same in my eyes as in his--you are as light. An angel cannot hate, perhaps cannot love, either. I often ask myself--is it possible to love everybody? Indeed it is not; it is not in nature. Abstract love of humanity is nearly always love of self. But you are different. You cannot help loving all, since you can compare with none, and are above all personal offence or anger. Oh! how bitter it would be to me to know that you felt anger or shame on my account, for that would be your fall--you would become comparable at once with such as me. |
“Oh--well, look here, if I have some time to wait, would you mind telling me, is there any place about where I could have a smoke? I have my pipe and tobacco with me.”
“Prince, you are not only simple, but your simplicity is almost past the limit,” said Lebedeff’s nephew, with a sarcastic smile.
Nina Alexandrovna and her daughter were both seated in the drawing-room, engaged in knitting, and talking to a visitor, Ivan Petrovitch Ptitsin.
“I’ve looked everywhere, and turned out everything.”
“Well, whether you go on business or not is your affair, I do not want to know. The only important thing, in my eyes, is that you should not be going there simply for the pleasure of spending your evening in such company--cocottes, generals, usurers! If that were the case I should despise and laugh at you. There are terribly few honest people here, and hardly any whom one can respect, although people put on airs--Varia especially! Have you noticed, prince, how many adventurers there are nowadays? Especially here, in our dear Russia. How it has happened I never can understand. There used to be a certain amount of solidity in all things, but now what happens? Everything is exposed to the public gaze, veils are thrown back, every wound is probed by careless fingers. We are for ever present at an orgy of scandalous revelations. Parents blush when they remember their old-fashioned morality. At Moscow lately a father was heard urging his son to stop at nothing--at nothing, mind you!--to get money! The press seized upon the story, of course, and now it is public property. Look at my father, the general! See what he is, and yet, I assure you, he is an honest man! Only... he drinks too much, and his morals are not all we could desire. Yes, that’s true! I pity him, to tell the truth, but I dare not say so, because everybody would laugh at me--but I do pity him! And who are the really clever men, after all? Money-grubbers, every one of them, from the first to the last. Hippolyte finds excuses for money-lending, and says it is a necessity. He talks about the economic movement, and the ebb and flow of capital; the devil knows what he means. It makes me angry to hear him talk so, but he is soured by his troubles. Just imagine--the general keeps his mother--but she lends him money! She lends it for a week or ten days at very high interest! Isn’t it disgusting? And then, you would hardly believe it, but my mother--Nina Alexandrovna--helps Hippolyte in all sorts of ways, sends him money and clothes. She even goes as far as helping the children, through Hippolyte, because their mother cares nothing about them, and Varia does the same.”
“Aglaya Ivanovna, it’s absurd.”
“I am off,” he said, hoarsely, and with difficulty.
| So saying, she had left the room, banging the door after her, and the prince went off, looking as though he were on his way to a funeral, in spite of all their attempts at consolation. |
| Suddenly Rogojin burst into a loud abrupt laugh, as though he had quite forgotten that they must speak in whispers. |
“Do you think so? Had I not just better tell him I have found it, and pretend I never guessed where it was?”
“Stay a little,” said Parfen, not leaving his chair and resting his head on his right hand. “I haven’t seen you for a long time.”
The laughter became general, and the young officer, who seemed a particularly lively sort of person, simply shook with mirth.
“Rogojin was evidently by no means pleased to see me, and hinted, delicately, that he saw no reason why our acquaintance should continue. For all that, however, I spent a very interesting hour, and so, I dare say, did he. There was so great a contrast between us that I am sure we must both have felt it; anyhow, I felt it acutely. Here was I, with my days numbered, and he, a man in the full vigour of life, living in the present, without the slightest thought for ‘final convictions,’ or numbers, or days, or, in fact, for anything but that which-which--well, which he was mad about, if he will excuse me the expression--as a feeble author who cannot express his ideas properly.
| “That is a very difficult and complicated question. I cannot suspect the servant, for she was in the kitchen the whole evening, nor do I suspect any of my children.” |
But Lizabetha Prokofievna knew perfectly well how unnecessary was the last question. She set a high value on Alexandra Ivanovna’s judgment, and often consulted her in difficulties; but that she was a ‘wet hen’ she never for a moment doubted. “She is so calm; nothing rouses her--though wet hens are not always calm! Oh! I can’t understand it!” Her eldest daughter inspired Lizabetha with a kind of puzzled compassion. She did not feel this in Aglaya’s case, though the latter was her idol. It may be said that these outbursts and epithets, such as “wet hen” (in which the maternal solicitude usually showed itself), only made Alexandra laugh. Sometimes the most trivial thing annoyed Mrs. Epanchin, and drove her into a frenzy. For instance, Alexandra Ivanovna liked to sleep late, and was always dreaming, though her dreams had the peculiarity of being as innocent and naive as those of a child of seven; and the very innocence of her dreams annoyed her mother. Once she dreamt of nine hens, and this was the cause of quite a serious quarrel--no one knew why. Another time she had--it was most unusual--a dream with a spark of originality in it. She dreamt of a monk in a dark room, into which she was too frightened to go. Adelaida and Aglaya rushed off with shrieks of laughter to relate this to their mother, but she was quite angry, and said her daughters were all fools.
“Well, that’s a comfort, at all events. You don’t suppose she could take any interest in you, do you? Why, she called you an ‘idiot’ herself.”
“And where have you come to?”
“The Abbot Pafnute lived in the fourteenth century,” began the prince; “he was in charge of one of the monasteries on the Volga, about where our present Kostroma government lies. He went to Oreol and helped in the great matters then going on in the religious world; he signed an edict there, and I have seen a print of his signature; it struck me, so I copied it. When the general asked me, in his study, to write something for him, to show my handwriting, I wrote ‘The Abbot Pafnute signed this,’ in the exact handwriting of the abbot. The general liked it very much, and that’s why he recalled it just now.”
“PR. L. MUISHKIN.”
“Keller,” murmured the retired officer.
“Excuse me,” interrupted Hippolyte, “is not this rather sentimental? You said you wished to come to the point; please remember that it is after nine o’clock.”
“Excellency,” he said, impulsively, “if you want a reliable man for the night, I am ready to sacrifice myself for my friend--such a soul as he has! I have long thought him a great man, excellency! My article showed my lack of education, but when he criticizes he scatters pearls!”
“Would you believe it, I had some thoughts of marrying Totski, four years ago! I meant mischief, I confess--but I could have had him, I give you my word; he asked me himself. But I thought, no! it’s not worthwhile to take such advantage of him. No! I had better go on to the streets, or accept Rogojin, or become a washerwoman or something--for I have nothing of my own, you know. I shall go away and leave everything behind, to the last rag--he shall have it all back. And who would take me without anything? Ask Gania, there, whether he would. Why, even Ferdishenko wouldn’t have me!”
| “Affectation!” remarked someone else. |
Aglaya looked blackly at him.
“Well, but--have you taken the purse away now?”
Two days after the strange conclusion to Nastasia Philipovna’s birthday party, with the record of which we concluded the first part of this story, Prince Muishkin hurriedly left St. Petersburg for Moscow, in order to see after some business connected with the receipt of his unexpected fortune.
“What nonsense!” Lebedeff’s nephew interrupted violently.
The girls could see that their mother concealed a great deal from them, and left out large pieces of the letter in reading it to them.
“It’s not the first time this urchin, your favourite, has shown his impudence by twisting other people’s words,” said Aglaya, haughtily.
“Wait a minute, prince,” shouted the latter, as he went. “I shall be back in five minutes.”
“Such beauty is real power,” said Adelaida. “With such beauty as that one might overthrow the world.” She returned to her easel thoughtfully.
| “I am, of course, quite ready to add my efforts to yours in such a case,” said the prince, rising; “but I confess, Lebedeff, that I am terribly perplexed. Tell me, do you still think... plainly, you say yourself that you suspect Mr. Ferdishenko?” |
| “Oh, what a queen she is!” he ejaculated, every other minute, throwing out the remark for anyone who liked to catch it. “That’s the sort of woman for me! Which of you would think of doing a thing like that, you blackguards, eh?” he yelled. He was hopelessly and wildly beside himself with ecstasy. |
“Come--you haven’t told us much!” said Aglaya, after waiting some five seconds. “Very well, I am ready to drop the hedgehog, if you like; but I am anxious to be able to clear up this accumulation of misunderstandings. Allow me to ask you, prince,--I wish to hear from you, personally--are you making me an offer, or not?”
| The prince went out deep in thought, and walked up and down the pavement for some time. The windows of all the rooms occupied by Rogojin were closed, those of his mother’s apartments were open. It was a hot, bright day. The prince crossed the road in order to have a good look at the windows again; not only were Rogojin’s closed, but the white blinds were all down as well. |
| “I have lost four hundred roubles out of my side pocket! They’re gone!” said Lebedeff, with a sour smile. |
| “Goodness gracious! good heavens!” came from all quarters of the room. |
“What I am really alarmed about, though,” he said, “is Aglaya Ivanovna. Rogojin knows how you love her. Love for love. You took Nastasia Philipovna from him. He will murder Aglaya Ivanovna; for though she is not yours, of course, now, still such an act would pain you,--wouldn’t it?”
“As to the article, prince,” he said, “I admit that I wrote it, in spite of the severe criticism of my poor friend, in whom I always overlook many things because of his unfortunate state of health. But I wrote and published it in the form of a letter, in the paper of a friend. I showed it to no one but Burdovsky, and I did not read it all through, even to him. He immediately gave me permission to publish it, but you will admit that I might have done so without his consent. Publicity is a noble, beneficent, and universal right. I hope, prince, that you are too progressive to deny this?”
“If that is the case, why did you begin by making such a fuss about it?” asked the astonished prince.
The prince shuddered.
Yes, all this must be put straight and above-board, there must be no more passionate renouncements, such as Rogojin’s. It must all be clear as day. Cannot Rogojin’s soul bear the light? He said he did not love her with sympathy and pity; true, he added that “your pity is greater than my love,” but he was not quite fair on himself there. Kin! Rogojin reading a book--wasn’t that sympathy beginning? Did it not show that he comprehended his relations with her? And his story of waiting day and night for her forgiveness? That didn’t look quite like passion alone.
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
| The prince took a droshky. It struck him as he drove on that he ought to have begun by coming here, since it was most improbable that Rogojin should have taken Nastasia to his own house last night. He remembered that the porter said she very rarely came at all, so that it was still less likely that she would have gone there so late at night. |
| But, besides the above, we are cognizant of certain other undoubted facts, which puzzle us a good deal because they seem flatly to contradict the foregoing. |
“No--no--my dear girl,” began the general. “You cannot proceed like this, Aglaya, if that’s how the matter stands. It’s impossible. Prince, forgive it, my dear fellow, but--Lizabetha Prokofievna!”--he appealed to his spouse for help--“you must really--”
“I cannot sacrifice myself so, though I admit I did wish to do so once. Who knows, perhaps I still wish to! But I know for _certain_, that if she married me it would be her ruin; I know this and therefore I leave her alone. I ought to go to see her today; now I shall probably not go. She is proud, she would never forgive me the nature of the love I bear her, and we should both be ruined. This may be unnatural, I don’t know; but everything seems unnatural. You say she loves me, as if this were _love!_ As if she could love _me_, after what I have been through! No, no, it is not love.”
Such were, for instance, Varvara Ardalionovna Ptitsin, her husband, and her brother, Gania.
| “‘Dead Souls,’ yes, of course, dead. When I die, Colia, you must engrave on my tomb: |
| “To judge from your words, you came straight to my house with the intention of staying there.” |
“That same husband of your sister, the usurer--”
“And the man who won it is a rogue, a rogue whom you ought not to have paid!” cried Lebedeff.
“Very well then, stay at home,” said Mrs. Epanchin, “and a good thing too, for Evgenie Pavlovitch is coming down and there will be no one at home to receive him.”
“At Pavlofsk! He is at Pavlofsk, undoubtedly!” interrupted Lebedeff.... “But come--let us go into the garden--we will have coffee there....” And Lebedeff seized the prince’s arm, and led him from the room. They went across the yard, and found themselves in a delightful little garden with the trees already in their summer dress of green, thanks to the unusually fine weather. Lebedeff invited his guest to sit down on a green seat before a table of the same colour fixed in the earth, and took a seat facing him. In a few minutes the coffee appeared, and the prince did not refuse it. The host kept his eyes fixed on Muishkin, with an expression of passionate servility.
| “Brought whom?” cried Muishkin. |
“She is worthy of sympathy? Is that what you wished to say, my good fellow? But then, for the mere sake of vindicating her worthiness of sympathy, you should not have insulted and offended a noble and generous girl in her presence! This is a terrible exaggeration of sympathy! How can you love a girl, and yet so humiliate her as to throw her over for the sake of another woman, before the very eyes of that other woman, when you have already made her a formal proposal of marriage? And you _did_ propose to her, you know; you did so before her parents and sisters. Can you be an honest man, prince, if you act so? I ask you! And did you not deceive that beautiful girl when you assured her of your love?”
“Met me somewhere, pfu! Why, it’s only three months since I lost two hundred roubles of my father’s money to you, at cards. The old fellow died before he found out. Ptitsin knows all about it. Why, I’ve only to pull out a three-rouble note and show it to you, and you’d crawl on your hands and knees to the other end of the town for it; that’s the sort of man you are. Why, I’ve come now, at this moment, to buy you up! Oh, you needn’t think that because I wear these boots I have no money. I have lots of money, my beauty,--enough to buy up you and all yours together. So I shall, if I like to! I’ll buy you up! I will!” he yelled, apparently growing more and more intoxicated and excited. “Oh, Nastasia Philipovna! don’t turn me out! Say one word, do! Are you going to marry this man, or not?”
Totski grew white as a sheet. The general was struck dumb. All present started and listened intently. Gania sat rooted to his chair.
“Do you hear, prince--do you hear that?” said Lizabetha Prokofievna, turning towards him.
“Prince,” said Nastasia Philipovna, unexpectedly turning to Muishkin, “here are my old friends, Totski and General Epanchin, who wish to marry me off. Tell me what you think. Shall I marry or not? As you decide, so shall it be.”
“I see for myself that it is so--and I shall tell _her_. But you are not quite yourself, Lef Nicolaievitch.”
The general gazed at his host disdainfully.
“That’s what comes of telling the truth for once in one’s life!” said Lebedeff. “It reduced him to tears.”
“Take care, don’t commit yourself for a whole lifetime.”
“Ah! that’s it, no doubt!”
“Now then, where are you taking my cloak to? Ha, ha, ha! Are you mad?”
“Yes. Can’t one cut pages with a garden knife?”
“Oh, my dear sir, I esteem and understand your kindness in putting the question. No; at present I have no means whatever, and no employment either, but I hope to find some. I was living on other people abroad. Schneider, the professor who treated me and taught me, too, in Switzerland, gave me just enough money for my journey, so that now I have but a few copecks left. There certainly is one question upon which I am anxious to have advice, but--”